CAUTION: In some Aboriginal communities restrictions apply to the naming and display of photographs of deceased persons. As there are photographs on this website of Aboriginal people who have since died, the viewing of this web site could offend. Therefore, awareness of mortuary restrictions which may apply in aboriginal communities, particularly Papunya, Yuendumu and Kintore in Central Australia, is important and care should be taken when visiting this website or displaying John Ogden's portfolio "AUSTRALIENATION".

John Ogden is perhaps better known for his work as a Director of Photography than for his stills photography, but his unsung status may be about to change. Michael Leunig has described his photography as "a valuable and compelling reference point by which we may, as a culture, understand ourselves and by which, as a nation, we may not be so alienated from the truth of who we really are". Nick Dent from Black and White magazine described Ogden's seminal book "Australienation" being "as intimate as a personal diary and profound as a state-of-the-nation address" and that "turning the pages becomes like reading a poem".

Although Ogden first picked up a camera in the 1960's, it was not until he began to wander Asia's hippie trails in 1972 that he got his first 35mm SLR. He began to work as a photojournalist, selling his photos to a variety of counter-culture magazines such as Tracks and The Nation Review. While photographing the conflict in Laos during the last days of the Vietnam war, Ogden had a chance meeting with legendary Australian war cameraman Neil Davis. After seeing the frontline footage that Davis shot for the Australian news, Ogden turned his attention to film making.

Since then he has gained a reputation as one of Australia's leading cinematographers, working in all film genres: drama, documentary, TVC and MTV production (including work for Prince and INXS). Ogden likens the group effort and eventual compromises of film making to playing a team sport. On the other hand, he sees photography as an individual pursuit akin to going surfing. By quirk of fate, a period of recuperation following a surfing accident, prompted a creative burst that saw him turn back to his stills roots and publish "Australienation".

In his book, Ogden chooses not to shy away from political and controversial comment. His photographs, while purist and documentary in approach, are quietly subversive. At first glance Ogden's photography can be delightful or hilarious, even freakish and disturbing. But look further into his work and there is a simple and universal human joy, that allows one to feel optimistic about society and human existence.

More recently, Ogden's work has explored abstract concepts such as the "Rock Art" series exhibited last year alongside Nelson Mandela's artwork. These prints were designed as large works on canvas. The "Cave Women" photos shown here are another change of direction. Inspired by a cave that Ogden stumbled upon, this series was shot over five years whenever he had time from his work as a cinematographer. With the exception of the two Aboriginal models from Descendance agency, Ogden worked with amateur models, mostly girls from the village where he lives. All the prints are photo chemical and have not been photo-shopped.

John Ogden's early photographs have been exhibited at the Art Gallery of Western Australia and toured the country in Roadshow 'West To East - Exhibition 6'. They have also been collected by the National Gallery of Victoria, the Art Gallery of Western Australia, Artbank, the National Library, the State Library of NSW, Curtin University, Jackson Brown and many other private collections. Ogden was a finalist in City of Sydney Art and About 2005 Photography Prize. His photographs were exhibited with art works by Nelson Mandela at The Touch of Mandela Gallery in 2004. Amongst a long list, Ogden has also had exhibitions in: the Australian Embassy, Washington, in 2006; the Kolgnphoto Fair, Germany, in 2002; and the Byron Mapp Gallery in 2000.